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Little Women (Signet Classics)

In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy come of age while their father is off to war.

Cross of Lead, The (Crispin)

Genre-jumping author Avi clocks in here with his 50th book, Crispin: The Cross of Lead, an action-packed historical narrative that follows the frantic flight of a 13-year-old peasant boy across 14th-century England.

After being declared a "wolf's head" by his manor's corrupt steward for a crime he didn't commit (meaning that anyone can kill him like a common animal--and collect a reward), this timid boy has to flee a tiny village that's the only world he's ever known. But before our protagonist escapes, Avi makes sure that we're thoroughly briefed on the injustices of feudalism--the countless taxes cottars must pay, the constant violence, the inability of a flawed church to protect its parishioners, etc. Avi then folds in the book's central mystery just as the boy is leaving: "Asta's son," as he's always been known, learns from the village priest that his Christian name is Crispin, and that his parents' origins--and fates--might be more perplexing than he ever imagined.

Providing plenty of period detail (appropriately gratuitous for the age group) and plenty of chase-scene suspense, Avi tells a good story, develops a couple of fairly compelling characters, and even manages to teach a little history lesson. (Fortunately, kids won't realize that they're learning about England's peasant revolt of 1381 until it's far too late.) (Ages 10 to 14) --Paul Hughes

Genre-jumping author Avi clocks in here with his 50th book, Crispin:The Cross of Lead, an action-packed historical narrative that follows thefrantic flight of a 13-year-old peasant boy across 14th-century England.After being declared a "wolf's head" by his manor's corrupt steward for a crimehe didn't commit (meaning that anyone can kill him like a commonanimal--and collect a reward), this timid boy has to flee a tiny villagethat's the only world he's ever known. But before our protagonist escapes, Avimakes sure that we're thoroughly briefed on the injustices of feudalism--thecountless taxes cottars must pay, the constant violence, the inability of aflawed church to protect its parishioners, etc. Avi then folds in the book'scentral mystery just as the boy is leaving: "Asta's son," as he's always beenknown, learns from the village priest that his Christian name is Crispin, andthat his parents' origins--and fates--might be more perplexing than he everimagined.Providing plenty of period detail (appropriately gratuitous for the age group)and plenty of chase-scene suspense, Avi tells a good story, develops a couple offairly compelling characters, and even manages to teach a little history lesson.(Fortunately, kids won't realize that they're learning about England's peasantrevolt of 1381 until it's far too late.) (Ages 10 to 14) --Paul Hughes

Feed

This brilliantly ironic satire is set in a future world where television and computers are connected directly into people's brains when they are babies. The result is a chillingly recognizable consumer society where empty-headed kids are driven by fashion and shopping and the avid pursuit of silly entertainment--even on trips to Mars and the moon--and by constant customized murmurs in their brains of encouragement to buy, buy, buy.

Anderson gives us this world through the voice of a boy who, like everyone around him, is almost completely inarticulate, whose vocabulary, in a dead-on parody of the worst teenspeak, depends heavily on three words: "like," "thing," and the second most common English obscenity. He's even made this vapid kid a bit sympathetic, as a product of his society who dimly knows something is missing in his head. The details are bitterly funny--the idiotic but wildly popular sitcom called "Oh? Wow! Thing!", the girls who have to retire to the ladies room a couple of times an evening because hairstyles have changed, the hideous lesions on everyone that are not only accepted, but turned into a fashion statement. And the ultimate awfulness is that when we finally meet the boy's parents, they are just as inarticulate and empty-headed as he is, and their solution to their son's problem is to buy him an expensive car.

Although there is a danger that at first teens may see the idea of brain-computers as cool, ultimately they will recognize this as a fascinating novel that says something important about their world. (Ages 14 and older) --Patty Campbell

Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains.

For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who has decided to fight the feed and its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut Jr., M. T. Anderson has created a not-so-brave new world — and a smart, savage satire that has captivated readers with its view of an imagined future that veers unnervingly close to the here and now.

The Book of Three (The Chronicles of Prydain)

The tale of Taran, assistant pig keeper, has been entertaining young readers for generations. Set in the mythical land of Prydain (which bears a more than passing resemblance to Wales), Lloyd Alexander's book draws together the elements of the hero's journey from unformed boy to courageous young man. Taran grumbles with frustration at home in the hamlet Caer Dallben; he yearns to go into battle like his hero, Prince Gwydion. Before the story is over, he has met his hero and fought the evil leader who threatens the peace of Prydain: the Horned King.

What brings the tale of Taran to life is Alexander's skillful use of humor, and the way he personalizes the mythology he has so clearly studied. Taran isn't a stick figure; in fact, the author makes a point of mocking him just at the moments when he's acting the most highhanded and heroic. When he and the young girl Eilonwy flee the castle of the wicked queen Achren, Taran emotes, "'Spiral Castle has brought me only grief; I have no wish to see it again.' 'What has it brought the rest of us?' Eilonway asked. 'You make it sound as though we were just sitting around having a splendid time while you moan and take on.'" By the end, Alexander has spun a rousing hero's tale and created a compelling coming-of-age story. Readers will sigh with relief when they realize The Book of Three is only the first of the chronicles of Prydain. --Claire Dederer

Poppy (The Poppy Stories)

At the very edge of Dimwood Forest stood an old charred oak where, silhouetted by the moon, a great horned owl sat waiting. The owls name was Mr. Ocax, and he looked like death himself. With his piercing gaze, he surveyed the lands he called his own, watching for the creatures he considered his subjects. Not one of them ever dared to cross his path. . .until the terrible night when two little mice went dancing in the moonlight. . .

The Black Cauldron (The Chronicles of Prydain)

Hug

How can it be that a book with only one word--hug--repeated throughout, can be so good? The proof is in the pudding (or the wilds of Africa) in Jez Alborough's picture book Hug, a delightful mini odyssey of a baby chimpanzee on the hunt for his mum and a cuddle.

Our little friend wanders through the trees, witnessing many other animals from chameleons to giraffes as they snuggle together. "Hug," he says, happily, at first, but then with growing despair as he sees there are no hugs for him. The story is told purely by the expression on the little chimp's face as his hopes are built up and dashed again until eventually, with a huge smile, he finds his mum and reaps the reward.

Hug is a clever, unusual book that portrays the art of children's illustration at its very best: a story brought to life with the stroke of a brush through facial expressions and body language that children will immediately understand.

Ideal for sharing with small ones, this lovely book is a warm, comforting read that cannot fail to please. (Ages 1 to 4)

"Alborough's simplicity results in another gem."
—School Library Journal

Bobo needs a hug. But his friends don't seem to understand. "Hug," he implores, time and again. Time and again his puzzled pals—from the smallest chameleon to the tallest giraffe—shrug and cuddle with their jungle mothers. As the lonely chimp's plea escalates, his friends grow concerned. Can the elephants lead Bobo to his heart's desire? Jez Alborough, the acclaimed author-illustrator of WHERE'S MY TEDDY?, IT'S THE BEAR!, and MY FRIEND BEAR transforms a total of three words—and some of the most tenderly expressive animals ever created—into an endearing tribute to love and belonging.

Leo the Late Bloomer

Leo isn't reading, or writing, or drawing, or even speaking, and his father is concerned. But Leo's mother isn't. She knows her son will do all those things, and more, when he's ready. 'Reassuring for other late bloomers, this book is illustrated with beguiling pictures.Saturday Review.\n

Skellig

"I thought he was dead. He was sitting with his legs stretched out and his head tipped back against the wall. He was covered with dust and webs like everything else and his face was thin and pale. Dead bluebottles were scattered on his hair and shoulders. I shined the flashlight on his white face and his black suit."

This is Michael's introduction to Skellig, the man-owl-angel who lies motionless behind the tea chests in the abandoned garage in back of the boy's dilapidated new house. As disturbing as this discovery is, it is the least of Michael's worries. The new house is a mess, his parents are distracted, and his brand-new baby sister is seriously ill. Still, he can't get this mysterious creature out of his mind--even as he wonders if he has really seen him at all. What unfolds is a powerful, cosmic, dreamlike tale reminiscent of Madeleine L'Engle's A Wrinkle in Time. British novelist David Almond works magic as he examines the large issues of death, life, friendship, love, and the breathtaking connections between all things.

Amidst the intensity and anxiety of his world, Michael is a normal kid. He goes to school, plays soccer, and has friends with nicknames like Leakey and Coot. It's at home where his life becomes extraordinary, with the help of Skellig and Mina, the quirky, strong-willed girl next door with "the kind of eyes you think can see right through you." Mina and her mother's motto is William Blake's "How can a bird that is born for joy / Sit in a cage and sing?" This question carries us through the book, as we see Michael's baby sister trapped in a hospital incubator; as we see the exquisite, winged Skellig crumpled in the garage; as we meet Mina's precious blackbird chicks and the tawny owls in her secret attic; and as we finally see a braver, bolder Michael spread his wings and fly. Skellig was the Whitbread Award's 1998 Children's Book of the Year, and this haunting novel is sure to resonate with readers young and old. (Ages 10 and older) --Karin Snelson

Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage and encounters a strange being who changes his world forever.

Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Dr. Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. What is this thing beneath the spider's web? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever.

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party