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Inkdeath (Inkheart)

The Adderhead--his immortality bound in a book by Meggie's father, Mo--has ordered his henchmen to plunder the villages. The peasants' only defense is a band of outlaws led by the Bluejay--Mo's fictitious double, whose identity he has reluctantly adopted. But the Book of Immortality is unraveling, and the Adderhead again fears the White Women of Death. To bring the renegade Bluejay back to repair the book, the Adderhead kidnaps all the children in the kingdom, dooming them to slavery in his silver mines unless Mo surrends. First Dustfinger, now Mo: Can anyone save this cursed story?

Corduroy

Have you ever dreamed of being locked in a department store at night? The endearing story of Corduroy paints a picture of the adventures that might unfold (for a teddy bear at least) in such a situation. When all the shoppers have gone home for the night, Corduroy climbs down from the shelf to look for his missing button. It's a brave new world! He accidentally gets on an elevator that he thinks must be a mountain and sees the furniture section that he thinks must be a palace. He tries to pull a button off the mattress, but he ends up falling off the bed and knocking over a lamp. The night watchman hears the crash, finds Corduroy, and puts him back on the shelf downstairs. The next morning, he finds that it's his lucky day! A little girl buys him with money she saved in her piggy bank and takes him home to her room. Corduroy decides that this must be home and that Lisa must be his friend. Youngsters will never get tired of this toy-comes-alive tale with a happy ending, so you may also want to seek out Dan Freeman's next creation, A Pocket for Corduroy. (Ages 3 to 8)

Don Freeman's classic character, Corduroy, is even more popular today then he was when he first came on the scene over thirty years ago. These favorite titles are ready for another generation of children to love.

The Phantom Tollbooth

"It seems to me that almost everything is a waste of time," Milo laments. "[T]here's nothing for me to do, nowhere I'd care to go, and hardly anything worth seeing." This bored, bored young protagonist who can't see the point to anything is knocked out of his glum humdrum by the sudden and curious appearance of a tollbooth in his bedroom. Since Milo has absolutely nothing better to do, he dusts off his toy car, pays the toll, and drives through. What ensues is a journey of mythic proportions, during which Milo encounters countless odd characters who are anything but dull.

Norton Juster received (and continues to receive) enormous praise for this original, witty, and oftentimes hilarious novel, first published in 1961. In an introductory "Appreciation" written by Maurice Sendak for the 35th anniversary edition, he states, "The Phantom Tollbooth leaps, soars, and abounds in right notes all over the place, as any proper masterpiece must." Indeed.

As Milo heads toward Dictionopolis he meets with the Whether Man ("for after all it's more important to know whether there will be weather than what the weather will be"), passes through The Doldrums (populated by Lethargarians), and picks up a watchdog named Tock (who has a giant alarm clock for a body). The brilliant satire and double entendre intensifies in the Word Market, where after a brief scuffle with Officer Short Shrift, Milo and Tock set off toward the Mountains of Ignorance to rescue the twin Princesses, Rhyme and Reason. Anyone with an appreciation for language, irony, or Alice in Wonderland-style adventure will adore this book for years on end. (Ages 8 and up)

Illustrated in black-and-white. This ingenious fantasy centers around Milo, a bored ten-year-old who comes home to find a large toy tollbooth sitting in his room. Joining forces with a watchdog named Tock, Milo drives through the tollbooth's gates and begins a memorable journey. He meets such characters as the foolish, yet lovable Humbug, the Mathemagician, and the not-so-wicked "Which," Faintly Macabre, who gives Milo the "impossible" mission of returning two princesses to the Kingdom of Wisdom.

Inkheart

MeggieÂ’s father, Mo, has an wonderful and sometimes terrible ability. When he reads aloud from books, he brings the characters to life--literally. Mo discovered his power when Maggie was just a baby. He read so lyrically from the the book Inkheart, that several of the bookÂ’s wicked characters ended up blinking and cursing on his cottage floor. Then Mo discovered something even worse--when he read Capricorn and his henchmen out of Inkheart, he accidentally read MeggieÂ’s mother in.

Meggie, now a young lady, knows nothing of her father's bizarre and powerful talent, only that Mo still refuses to read to her. Capricorn, a being so evil he would "feed a bird to a cat on purpose, just to watch it being torn apart," has searched for Meggie's father for years, wanting to twist Mo's powerful talent to his own dark means. Finally, Capricorn realizes that the best way to lure Mo to his remote mountain hideaway is to use his beloved, oblivious daughter Meggie as bait!

Cornelia FunkeÂ’s imaginative ode to books and book lovers is sure to be enjoyed by fans of her breakout debut, The Thief Lord, and young readers who enjoyed the similarly themed The Great Good Thing by Roderick Townley. (Ages 10 to 15) --Jennifer Hubert

One cruel night, Meggie's father reads aloud from a book called INKHEART-- and an evil ruler escapes the boundaries of fiction and lands in their living room. Suddenly, Meggie is smack in the middle of the kind of adventure she has only read about in books. Meggie must learn to harness the magic that has conjured this nightmare. For only she can change the course of the story that has changed her life forever. This is INKHEART--a timeless tale about books, about imagination, about life. Dare to read it aloud.

Time for Bed

Make bedtime something to look forward to with this wonderful book! Author: Mem Fox Illustrator: Jane Dyer Publisher: Harcourt Trade Publishers Made In: China (passed all US Safety Requirements)

Wilfrid Gordon McDonald Partridge (Public Television Storytime Books)

The offbeat style of this wonderful story--and of Julie Vivas's perfectly matched illustrations--couldn't be summed up better than by the oddness of the first sentence: "There was once a small boy called Wilfrid Gordon McDonald Partridge and what's more he wasn't very old either." Wilfrid lives next to a retirement home, filled with folks like "Mrs. Jordan who played the organ" and "Mr. Hosking who told him scary stories." But his favorite old person is 96-year-old Miss Nancy. Everyone says Miss Nancy has lost her memory, and despite the fact that Wilfrid doesn't even know what a memory is, by accident he helps her find it. Mem Fox's original take on the capacity of children to help the old remember is especially notable for its non-patronizing focus on old people. (Ages 4 to 8) --Richard Farr

Wilfrid Gordon McDonald Partridge, a rather small boy, lives next door to a nursing home in which resides Miss Nancy Alison Delacourt Cooper, his favorite friend, because she has four names as well. When Miss Nancy "loses" her memory, the intrepid Wilfrid sets out to find it for her. Full color.

A Writer's Notebook: Unlocking the Writer within You

Ages 8-12. Fans of Harriet the Spy who want to try keeping their own writer's notebook will appreciate this inspiring handbook. Written in a direct, non-condescending style, writer-to-writer, it offers realistic, experienced advice on how to keep notes and use them to create stories and poems. Fletcher, author of the ALA Notable children's book Fig Pudding, fleshes the book out with numerous examples from his own notebooks and from those of other writers, child and adult.

Writers are like other people, except for at least one important difference. Other people have daily thoughts and feelings, notice this sky or that smell, but they don't do much about it.

Not writers. Writers react. And writers need a place to record those reactions. That's what a writer's notebook is for. It gives you a place to write down what makes you angry or sad or amazed, to write down what you noticed and don't want to forget . . . .

Inkspell (Inkheart)

Just a few chapters into Inkspell, Mo (a.k.a. "Silvertongue") sagely says to his daughter, "Stories never really end, Meggie, even if the books like to pretend they do. Stories always go on. They don't end on the last page, any more than they begin on the first page." A fitting meta-observation for this, the unplanned second installment in Cornelia Funke's beloved now-trilogy.

Of course, it's that sort of earnest, almost gushing veneration of books and book-loving that made the absorbing suspense-fantasy Inkheart so wonderful in the first place, with that lit-affection getting woven integrally into the plot (Inkheart being both Funke's first book in the series, and the fictitious book within that book, authored by the frustrated Fenoglio, now trapped within the book, er, within the book. Fenoglio, perhaps not surprisingly, self-referentially wishes in Inkspell that he had written a sequel to Inkheart.) Inkspell should serve as a special treat for fans of the first book, as characters from Inkheart who have found themselves in the "real world" (if there is such a thing) find themselves read back into their own mythic, word-spun world--along with some of our favorite "real-world" characters. As with the previous book, Funke's greatest accomplishment here is telling such a rich and involving (and fun!) story, while still managing sweet, subtle commentary on the nature of words and meaning. Expect a tantalizing finale, too--as Funke says, "No reader will forgive me the ending, though, without a part three." (Ages 8 and up) --Paul Hughes

Although a year has passed, not a day goes by without Meggie thinking of INKHEART, the book whose characters became real. But for Dustfinger, the fire-eater brought into being from words, the need to return to the tale has become desperate. When he finds a crooked storyteller with the ability to read him back, Dustfinger leaves behind his young apprentice Farid and plunges into the medieval world of his past. Distraught, Farid goes in search of Meggie, and before long, both are caught inside the book, too. But the story is threatening to evolve in ways neither of them could ever have imagined.

Seedfolks (Joanna Colter Books)

Sometimes, even in the middle of ugliness and neglect, a little bit of beauty will bloom. Award-winning writer Paul Fleischman dazzles us with this truth in Seedfolks--a slim novel that bursts with hope. Wasting not a single word, Fleischman unfolds a story of a blighted neighborhood transformed when a young girl plants a few lima beans in an abandoned lot. Slowly, one by one, neighbors are touched and stirred to action as they see tendrils poke through the dirt. Hispanics, Haitians, Koreans, young, and old begin to turn the littered lot into a garden for the whole community. A gift for hearts of all ages, this gentle, timeless story will delight anyone in need of a sprig of inspiration.

A vacant lot, rat-infested and filled with garbage, looked like no place for a garden. Especially to a neighborhood of strangers where no one seems to care. Until one day, a young girl clears a small space and digs into the hard-packed soil to plant her precious bean seeds. Suddenly, the soil holds promise: To Curtis, who believes he can win back Lateesha's heart with a harvest of tomatoes; to Virgil's dad, who sees a fortune to be made from growing lettuce; and even to Maricela, sixteen and pregnant, wishing she were dead.

Thirteen very different voices -- old, young, Haitian, Hispanic, tough, haunted, and hopeful -- tell one amazing story about a garden that transforms a neighborhood.

Chosen as a state and citywide read in communities across the country:
Vermont
Racine, WI
Tampa, FL
Newburgh, NY
Boca Raton, FL

Harriet the Spy

Ages 8-12. Thirty-two years before it was made into a movie, Harriet the Spy was a groundbreaking book: its unflinchingly honest portrayal of childhood problems and emotions changed children's literature forever. Happily, it has neither dated nor become obsolete and remains one of the best children's novels ever written. The fascinating story is about an intensely curious and intelligent girl, who literally spies on people and writes about them in her secret notebook, trying to make sense of life's absurdities. When her classmates find her notebook and read her painfully blunt comments about them, Harriet finds herself a lonely outcast. Fitzhugh's writing is astonishingly vivid, real and engaging, and Harriet, by no means a typical, loveable heroine, is one of literature's most unforgettable characters. School Library Journal wrote, "a tour de force... bursts with life." The Bulletin of the Center for Children's Books called it "a very, very funny story." And The Chicago Tribune raved, "brilliantly written... a superb portrait of an extraordinary child."

Harriet M. Welsch is a spy. In her notebook, she writes down everything she knows about everyone, even her classmates and her best friends. Then Harriet loses track of her notebook, and it ends up in the wrong hands. Before she can stop them, her friends have read the always truthful, sometimes awful things she’s written about each of them. Will Harriet find a way to put her life and her friendships back together?