The Absolutely True Diary of a Part-Time Indian
by Sherman Alexie
from Little, Brown Young Readers
In his first book for young adults, bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by acclaimed artist Ellen Forney, that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.
Island of the Blue Dolphins
by Scott O'Dell
from Yearling
Scott O'Dell won the Newbery Medal for Island of the Blue Dolphins in 1961, and in 1976 the Children's Literature Association named this riveting story one of the 10 best American children's books of the past 200 years. O'Dell was inspired by the real-life story of a 12-year-old American Indian girl, Karana. The author based his book on the life of this remarkable young woman who, during the evacuation of Ghalas-at (an island off the coast of California), jumped ship to stay with her young brother who had been abandoned on the island. He died shortly thereafter, and Karana fended for herself on the island for 18 years.
O'Dell tells the miraculous story of how Karana forages on land and in the ocean, clothes herself (in a green-cormorant skirt and an otter cape on special occasions), and secures shelter. Perhaps even more startlingly, she finds strength and serenity living alone on the island. This beautiful edition of Island of the Blue Dolphins is enriched with 12 full-page watercolor paintings by Ted Lewin, illustrator of more than 100 children's books, including Ali, Child of the Desert. A gripping story of battling wild dogs and sea elephants, this simply told, suspenseful tale of survival is also an uplifting adventure of the spirit. (Ages 9 to 12)
In the Pacific, there is an island that looks like a big fish sunning itself in the sea. Around it blue dolphins swim, otters play, and sea birds abound. Karana is the Indian girl who lived alone for years on the Island of the Blue Dolphins. Hers is not only an unusual adventure of survival, but also a tale of natural beauty and personal discovery.
Touching Spirit Bear (rack)
by Ben Mikaelsen
from HarperTeen
Cole Matthews is angry. Angry, defiant, smug--in short, a bully. His anger has taken him too far this time, though. After beating up a ninth-grade classmate to the point of brain damage, Cole is facing a prison sentence. But then a Tlingit Indian parole officer named Garvey enters his life, offering an alternative called Circle Justice, based on Native American traditions, in which victim, offender, and community all work together to find a healing solution. Privately, Cole sneers at the concept, but he's no fool--if it gets him out of prison, he'll do anything. Ultimately, Cole ends up banished for one year to a remote Alaskan island, where his arrogance sets him directly in the path of a mysterious, legendary white bear. Mauled almost to death, Cole awaits his fate and begins the transition from anger to humility.
Ben Mikaelsen's depiction of a juvenile delinquent's metamorphosis into a caring, thinking individual is exciting and fascinating, if at times heavy-handed. Cole's nastiness and the vivid depictions of the lengths he must go to survive after the (equally vivid) attack by the bear are excruciating at times, but the concept of finding a way to heal a whole community when one individual wrongs another is compelling. The jacket cover photo of the author in a bear hug with the 700-pound black bear that he and his wife adopted and raised is definitely worth seeing! (Ages 12 and older) --Emilie Coulter
Will the attack of the Spirit Bear destroy Cole's life or save his soul?
Cole Matthews has been fighting, stealing, and raising hell for years. So his punishment for beating Peter Driscal senseless is harsh. Given a choice between prison and Native American Circle Justice, Cole chooses Circle Justice: He'll spend one year in complete isolation on a remote Alaskan island. In the first days of his banishment, Cole is mauled by a mysterious white bear and nearly dies. Now there's no one left to save Cole, but Cole himself.
Sitting Bull
by Bill Yenne
from Westholme Publishing
Amazon Significant Seven, April 2008: As a celebrated warrior, shaman, and leader of the Lakota tribe, Sitting Bull was both a fascinating and frightening icon to the expanding United States, a 19th-century cross-cultural superstar who was at once a friend to Buffalo Bill and the emblem of Native American resistance in the face of the westward settlement. In Sitting Bull, Bill Yenne has produced a fascinating and exhaustively researched biography, drawing from contemporary sources as well as the iconic leader's own "Hieroglyphic Autobiography" (a series of pictographs depicting pivotal events in his life) to create an informal and relaxed account that still packs an amazing amount of detail. Recounting the exploits of the budding warrior known as Jumping Badger, his misunderstood role in the Battle of Little Big Horn, and his death on the eve of the massacre at Wounded Knee, Sitting Bull cuts through legend to place the Lakota leader square into his own cultural context, spurning the usual wasichu filters or biases. --Jon Foro
"Sitting Bull, leader of the largest Indian nation on the continent, the strongest, boldest, most stubborn opponent of European influence, was the very heart and soul of the frontier. When the true history of the New World is written, he will receive his chapter. For Sitting Bull was one of the makers of America." --Stanley Vestal
One night, long ago, Tatanka Iyotanka--Sitting Bull--stepped into the faint light of a kerosene lantern. Jerome Stillson of the New York Herald looked into the eyes of the world's most famous American Indian--and living mystery. "Your face is dark," Stillson told him. "My people do not see it." What Stillson said remains true to this day. Sitting Bull's name is still the best known of any American Indian leader, but his life and legacy remain shrouded with misinformation and half-truths. Sitting Bull's life spanned the entire clash of cultures and ultimate destruction of the Plains Indian way of life. He was a powerful leader and a respected shaman, but neither fully captures the enigma of Sitting Bull. He was a good friend of Buffalo Bill and skillful negotiator with the American government, yet erroneously credited with both murdering Custer at the Little Big Horn and with being the chief instigator of the Ghost Dance movement. The reality of his life, as Bill Yenne reveals in his absorbing new portrait, Sitting Bull, is far more intricate and compelling. Tracing Sitting Bull's history from a headstrong youth and his first contact with encroaching settlers, through his ascension as the spiritual and military leader of the Lakota, friendship with a Swiss-American widow from New York, and death at the hands of the Indian police on the eve of the massacre at Wounded Knee, Yenne scoured rare contemporary records and consulted Sitting Bull's own "Hieroglyphic Autobiography" in the course of his research. While Sitting Bull was the leading figure of Plains Indian resistance his message, as Yenne explains, was of self-reliance, not violence. At the Battle of the Little Bighorn, Sitting Bull was not confronting Custer as popular myth would have it, but riding through the Lakota camp making sure the most defenseless of his tribe--the children--were safe. In Sitting Bull we find a man who, in the face of an uncertain future, helped ensure the survival of his people.
Bury My Heart at Wounded Knee: An Indian History of the American West
by Dee Brown
from Holt Paperbacks
First published in 1970, this extraordinary book changed the way Americans think about the original inhabitants of their country. Beginning with the Long Walk of the Navajos in 1860 and ending 30 years later with the massacre of Sioux men, women, and children at Wounded Knee in South Dakota, it tells how the American Indians lost their land and lives to a dynamically expanding white society. During these three decades, America's population doubled from 31 million to 62 million. Again and again, promises made to the Indians fell victim to the ruthlessness and greed of settlers pushing westward to make new lives. The Indians were herded off their ancestral lands into ever-shrinking reservations, and were starved and killed if they resisted. It is a truism that "history is written by the victors"; for the first time, this book described the opening of the West from the Indians' viewpoint. Accustomed to stereotypes of Indians as red savages, white Americans were shocked to read the reasoned eloquence of Indian leaders and learn of the bravery with which they and their peoples endured suffering. With meticulous research and in measured language overlaying brutal narrative, Dee Brown focused attention on a national disgrace. Still controversial but with many of its premises now accepted, Bury My Heart at Wounded Knee has sold 5 million copies around the world. Thirty years after it first broke onto the national conscience, it has lost none of its importance or emotional impact. --John Stevenson
Bury My Heart at Wounded Knee is Dee Brown's eloquent, fully documented account of the systematic destruction of the American Indian during the second half of the nineteenth century. A national bestseller in hardcover for more than a year after its initial publication, it has sold almost four million copies and has been translated into seventeen languages. For this elegant thirtieth-anniversary edition -- published in both hardcover and paperback -- Brown has contributed an incisive new preface.
Using council records, autobiographies, and firsthand descriptions, Brown allows the great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the battles, massacres, and broken treaties that finally left them demoralized and defeated. A unique and disturbing narrative told with force and clarity, Bury My Heart at Wounded Knee changed forever our vision of how the West was really won.
A Terrible Glory: Custer and the Little Bighorn - the Last Great Battle of the American West
by James Donovan
from Little, Brown and Company
In June of 1876, on a desolate hill above a winding river called "the Little Bighorn," George Armstrong Custer and all 210 men under his direct command were annihilated by almost 2,000 Sioux and Cheyenne. The news of this devastating loss caused a public uproar, and those in positions of power promptly began to point fingers in order to avoid responsibility. Custer, who was conveniently dead, took the brunt of the blame.
The truth, however, was far more complex. A TERRIBLE GLORY is the first book to relate the entire story of this endlessly fascinating battle, and the first to call upon all the significant research and findings of the past twenty-five years--which have changed significantly how this controversial event is perceived. Furthermore, it is the first book to bring to light the details of the U.S. Army cover-up--and unravel one of the greatest mysteries in U.S. military history.
Scrupulously researched, A TERRIBLE GLORY will stand as ta landmark work. Brimming with authentic detail and an unforgettable cast of characters--from Sitting Bull and Crazy Horse to Ulysses Grant and Custer himself--this is history with the sweep of a great novel.
The Name of War: King Philip's War and the Origins of American Identity
by Jill Lepore
from Vintage
In 1675, tensions between Native Americans and colonists residing in New England erupted into the brutal conflict that has come to be known as King Philip's War, named after Philip, the leader of the Wampanoag Indians. Jill Lepore's book is an evocative and insightful study of America's recollection and understanding of one of the bloodiest wars to take place on its soil.
Lepore, an assistant professor of history at Boston University, depicts the horrors of this conflict, from gruesome tortures to the massacre of women and children, so explicitly barbaric that the term "war" barely applies. An underlying theme of her narrative is that this unfortunate battle only served to strengthen the boundaries of cultural difference between the Native Americans and colonists, setting a rigid foundation for the many years of enmity between Indians and Anglos that would ensue.
Skillfully drawing on accounts of substance from participants on both sides, Lepore presents a balanced overview of the causes and effects of this conflict and the reverberations it would have over the centuries to follow, ultimately revealing that how a past event is interpreted is often just as important as the event itself.
Winner of the the 1998 Ralph Waldo Emerson Award of the Phi Beta Kappa Society
King Philip's War, the excruciating racial war--colonists against Indians--that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war."
It all began when Philip (called Metacom by his own people), the leader of the Wampanoag Indians, led attacks against English towns in the colony of Plymouth. The war spread quickly, pitting a loose confederation of southeastern Algonquians against a coalition of English colonists. While it raged, colonial armies pursued enemy Indians through the swamps and woods of New England, and Indians attacked English farms and towns from Narragansett Bay to the Connecticut River Valley. Both sides, in fact, had pursued the war seemingly without restraint, killing women and children, torturing captives, and mutilating the dead. The fighting ended after Philip was shot, quartered, and beheaded in August 1676.
The war's brutality compelled the colonists to defend themselves against accusations that they had become savages. But Jill Lepore makes clear that it was after the war--and because of it--that the boundaries between cultures, hitherto blurred, turned into rigid ones. King Philip's War became one of the most written-about wars in our history, and Lepore argues that the words strengthened and hardened feelings that, in turn, strengthened and hardened the enmity between Indians and Anglos. She shows how, as late as the nineteenth century, memories of the war were instrumental in justifying Indian removals--and how in our own century that same war has inspired Indian attempts to preserve "Indianness" as fiercely as the early settlers once struggled to preserve their Englishness.
Telling the story of what may have been the bitterest of American conflicts, and its reverberations over the centuries, Lepore has enabled us to see how the ways in which we remember past events are as important in their effect on our history as were the events themselves.
From the Hardcover edition.
Facing East from Indian Country: A Native History of Early America
by Daniel K. Richter
from Harvard University Press
In the beginning, North America was Indian country. But only in the beginning. After the opening act of the great national drama, Native Americans yielded to the westward rush of European settlers.
Or so the story usually goes. Yet, for three centuries after Columbus, Native people controlled most of eastern North America and profoundly shaped its destiny. In Facing East from Indian Country, Daniel K. Richter keeps Native people center-stage throughout the story of the origins of the United States.
Viewed from Indian country, the sixteenth century was an era in which Native people discovered Europeans and struggled to make sense of a new world. Well into the seventeenth century, the most profound challenges to Indian life came less from the arrival of a relative handful of European colonists than from the biological, economic, and environmental forces the newcomers unleashed. Drawing upon their own traditions, Indian communities reinvented themselves and carved out a place in a world dominated by transatlantic European empires. In 1776, however, when some of Britain's colonists rebelled against that imperial world, they overturned the system that had made Euro-American and Native coexistence possible. Eastern North America only ceased to be an Indian country because the revolutionaries denied the continent's first peoples a place in the nation they were creating.
In rediscovering early America as Indian country, Richter employs the historian's craft to challenge cherished assumptions about times and places we thought we knew well, revealing Native American experiences at the core of the nation's birth and identity.
(20011015)Paddle-to-the-Sea (Sandpiper Books)
by Holling C. Holling
from Houghton Mifflin
A young Indian boy carves a little canoe with a figure inside and names him Paddle-to-the-Sea. Paddle's journey, in text and pictures, through the Great Lakes to the Atlantic Ocean provides an excellent geographic and historical picture of the region.
Birchbark House, The
by Louise Erdrich
from Hyperion Book CH
Nineteenth-century American pioneer life was introduced to thousands of young readers by Laura Ingalls Wilder's beloved Little House books. With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island.
Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson
Nineteenth-century American pioneer life was introduced to thousands of young readers by Laura Ingalls Wilder's beloved Little House books. With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson


