Short Story Collections

Richard Scarry's Best Storybook Ever! (Giant Little Golden Book)

This storybook is a collection of entertaining stories and poems involving celebrated children's book artist Richard Scarry's lovable cast of animal characters. These happy tales and lively illustrations make this treasury of the very best of Scarry's work the best storybook ever.

Borges: Collected Fictions

Although Jorge Luis Borges published his first book in 1923--doling out his own money for a limited edition of Fervor de Buenos Aires--he remained in Argentinian obscurity for almost three decades. In 1951, however, Ficciones appeared in French, followed soon after by an English translation. This collection, which included the cream of the author's short fictions, made it clear that Borges was a world-class (if highly unclassifiable) artist--a brilliant, lyrical miniaturist, who could pose the great questions of existence on the head of pin. And by 1961, when he shared the French Prix Formentor with Samuel Beckett, he seemed suddenly to tower over a half-dozen literary cultures, the very exemplar of modernism with a human face.

By the time of his death in 1986, Borges had been granted old master status by almost everybody (except, alas, the gentlemen of the Swedish Academy). Yet his work remained dispersed among a half-dozen different collections, some of them increasingly hard to find. Andrew Hurley has done readers a great service, then, by collecting all the stories in a single, meticulously translated volume. It's a pleasure to be reminded that Borges's style--poetic, dreamlike, and compounded of innumerable small surprises--was already in place by 1935, when he published A Universal History of Iniquity: "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." (Incidentally, the thrifty author later recycled the second of these aphorisms in his classic bit of bookish metaphysics, "Tlon, Uqbar, Orbis Teris.") The glories of his middle period, of course, have hardly aged a day. "The Garden of the Forking Paths" remains the best deconstruction of the detective story ever written, even in the post-Auster era, and "Pierre Menard, Author of the Quixote" puts the so-called death of the author in pointed, hilarious perspective.

But Hurley's omnibus also brings home exactly how consistent Borges remained in his concerns. As late as 1975, in "Avelino Arredondo," he was still asking (and occasionally even answering) the same riddles about time and its human repository, memory: "For the man in prison, or the blind man, time flows downstream as though down a slight decline. As he reached the midpoint of his reclusion, Arredondo more than once achieved that virtually timeless time. In the first patio there was a wellhead, and at the bottom, a cistern where a toad lived; it never occurred to Arredondo that it was the toad's time, bordering on eternity, that he sought." Throughout, Hurley's translation is crisp and assured (although this reader will always have a soft spot for "Funes, the Memorious" rather than "Funes, His Memory.") And thanks to his efforts, Borgesians will find no better--and no more pleasurable--rebuttal of the author's description of himself as "a shy sort of man who could not bring himself to write short stories." --James Marcus

The New York Times bestseller, "a marvelous new collection of stories by . . . one of the most remarkable writers of our century" --Richard Bernstein, The New York Times

Jorge Luis Borges has been called the greatest Spanish-language writer of our century. Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

* Exquisitely packaged edition with French flaps and rough front, quality paper stock
* Named a Notable Book by the New York Times, Publishers Weekly, and the American Library Association

"An unparalleled treasury of marvels." --Chicago Tribune

"An event worthy of celebration . . . Hurley deserves our enthusiastic praise for this monumental piece of work." --San Francisco Chronicle

The Best American Nonrequired Reading 2007 (The Best American Series)

From "Q & A" by Dave Eggers
A group of senators and assemblypersons were pressing The Best American Nonrequired Reading on a number of questions relating to the collection, so we decided to kill that stone in the shape of an introduction in the shape of a Q & A.

Who are they, the Nonrequired committee's members who decide on things in this collection?
They are high school students from all over the San Francisco Bay Area.

Are they touched by some kind of divine light?
The question is a good one. There is rampant speculation on the subject.

Are they all great-looking and charming and well dressed?
Yes. All of them, and especially Felicia Wong, who can even make her own clothes.

I have a question about the process by which the entries in this collection are chosen. Is it scientific?
The process by which The Best American Nonrequired Reading is put together is not scientific. It is whatever one would consider the opposite of scientific.

Creationist?
Well, no, it's not creationist either. The point is that we are probably a bit less top-to-bottom thorough than, say, the Army Corps of Engineers. Well, actually, scratch that. We are probably about exactly as thorough as the Army Corps of Engineers, in that we are intermittently thorough.

What is your opinion and the committee's opinion of the state of short stories and small magazines and other periodicals?
This is a good time. It really is.

More specifically?
Not all of us Americans appreciate the fact that we have about 150 very good quarterlies in this country. Every state seems to have a very good quarterly, and about a hundred colleges have very good quarterlies — from the Kenyon Review to the University of Illinois's Ninth Letter. So by our estimate there are about 150 very good quarterlies in this country. Maybe more. Now, the thing we don't always appreciate here in America is that elsewhere in the world there are few to no quarterlies.

How does it feel to select something for the collection that you found in an unlikely place?
It feels so good. This year, for example, at the last moment we found "Humpies" by Mattox Roesch. It was published by Agni Online, and we all loved it, and here it is, ideally able to reach a new audience. We all took pleasure in finding that one; the mandate of the committee is to find the offbeat and the lesser-known and bring these pieces to our readers, most of whom have great skin and bad eyes.

Russian Stories: A Dual-Language Book

Thong on Fire: An Urban Erotic Tale

I was just a lost little girl forced to make it in a grown woman's world. A child turned out by the rulers of the game. When you get thrown into a snakepit you better learn how to wiggle! It's all about survival, baby. And not only did I learn the code of the streets, I made my own damn rules and got paid in the process. So listen close, but watch your pockets. I'm a Harlem girl. A scandalous chick. A ruthless mama. Me and this city are just alike. Grimy. And we never, ever sleep...

It's a hard knock life for Saucy Sarita Robinson and the rules of the game are clear: get yours or get had. When her father gets popped in an armed robbery and her mother turns to drugs, Saucy is left to scratch out a life for herself on the streets of Harlem, and this city-slick vixen refuses to become a victim.

Young, hot, and hungry for the spotlight, Saucy has a full package and uses her assets to get whatever she wants: 128th Street has its own rules, and she knows them well. With sex as her weapon of choice, Saucy hustles her way straight into the heart of the hip-hop underworld, preying upon any man -- or woman -- who might help her get ahead. But Hottt Saucy just can't get enough. Her calculating nature and insatiable appetite for power and prestige tempt her into dangerous waters, and before long she finds herself in too deep. The shot callers of the hip-hop world have a few tricks for Saucy -- a gutter plan to force her back onto the very streets that she came from.

But Saucy refuses to go down easy. She plots her revenge against some of the most powerful playas in the music industry, never suspecting that her enemies will fight back...and fight back hard.

The Best American Short Stories of the Century (The Best American Series)

At age 67, the perennially youthful John Updike may at last qualify as something of an elder statesman. But the Best American Short Stories annual--whose greatest hits package Updike has now assembled--is almost a generation older, having commenced publication in 1915. This staying power allows the hefty Best American Short Stories of the Century to perform double duty. It is, on the one hand, a priceless compendium of American manners and morals--a decade-by-decade survey of how we lived then, and how we live now. Yet Updike very consciously avoided the sociological angle in making his selection. "I tried not to select stories because they illustrated a theme or portion of the national experience," he writes in his introduction, "but because they struck me as lively, beautiful, believable, and, in the human news they brought, important." In this he succeeded: the 55 fictions that made the grade are most notable for their human (rather than merely historical) interest.

So who got in? There are a good number of cut-and-dried classics here, including Hemingway's "The Killers," Faulkner's "That Evening Sun Go Down," and Philip Roth's acidic spin on religious connivance, "Defender of the Faith." In other cases, major authors are represented by relatively minor works. Yet it's hard to quibble with the inclusion of Willa Cather, F. Scott Fitzgerald, Tennessee Williams, J.F. Powers, Eudora Welty--particularly when you take into account that their second-tier creations are fully the equal of anybody else's masterpieces. And the final third of the book really does constitute an honor roll of contemporary American fiction, with brilliant entries by Saul Bellow, Donald Barthelme, Raymond Carver, Tim O'Brien, Bernard Malamud, Cynthia Ozick, John Cheever, and Vladimir Nabokov. (For the latter, Updike actually succumbed to his own idolatry and bent the rules for admission--but nobody who reads the hallucinatory "That in Aleppo Once..." will regret it.) It goes without saying that fiction fans will be complaining about the editor's sins of omission well into the next century. But no matter how you slice it, this remains an elegant and essential advertisement for the short form. --James Marcus

Since the series' inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best -- fifty-six extraordinary stories that represent a century's worth of unsurpassed achievements in this quintessentially American literary genre. This expanded edition includes a new story from The Best American Short Stories 1999 to round out the century, as well as an index including every story published in the series. Of all the writers whose work has appeared in the series, only John Updike has been represented in each of the last five decades, from his first appearance, in 1959, to his most recent, in 1998. Updike worked with coeditor Katrina Kenison to choose the finest stories from the years since 1915. The result is "extraordinary . . . A one-volume literary history of this country's immeasurable pains and near-infinite hopes" (Boston Globe).

Labyrinths: Selected Stories & Other Writings (New Directions Paperbook)

If Jorge Luis Borges had been a computer scientist, he probably would have invented hypertext and the World Wide Web.

Instead, being a librarian and one of the world's most widely read people, he became the leading practitioner of a densely layered imaginistic writing style that has been imitated throughout this century, but has no peer (although Umberto Eco sometimes comes close, especially in Name of the Rose).

Borges's stories are redolent with an intelligence, wealth of invention, and a tight, almost mathematically formal style that challenge with mysteries and paradoxes revealed only slowly after several readings. Highly recommended to anyone who wants their imagination and intellect to be aswarm with philosophical plots, compelling conundrums, and a wealth of real and imagined literary references derived from an infinitely imaginary library.

Take a new look at Labyrinths, the classic by Latin America's finest writer of the twentieth century—a true literary sensation—with cyber-author William Gibson.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.

This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.

Short Stories in Spanish: New Penguin Parallel Text (New Penguin Parallel Texts)

Reflecting the variety of modern Spanish literature, these stories range from the sharp insights of Gabriel García Marquez's María dos Prazeres to Isabel Allende's powerful evocation of the oral traditions of the Amerindian Walimai, the deceptive simplicity of Javier Marías's On the Honeymoon, and the philosophical speculation of Laura Freixas's Absurd Ending.

Naughty Spanking Stories from A to Z

Have you ever felt the delicious thrill of lying across a lover's lap and getting spanked good and hard? Or been the one doing the spanking, enjoying the sting as your hand collides with your lover's ass? Or have you simply dreamed about the gorgeous heated generated by a truly perfect spanking? If so, this book's for you! Naughty Spanking Stories From A to Z has it ALL, from disobedient students and stern mistresses to kinky cops and naughty captives, to men and women who simply love getting spanked!

With stories by acclaimed writers such as Kate Dominic, Michael Hemmingson, Tsaurah Litzky, Bill Noble, Thomas Roche, Simon Sheppard, Lisabet Sarai, Sage Vivant, and Michele Zipp, plus a daring foreword by noted sex educator Violet Blue, this book will have you itching to bend over and bare your bottom!

Hey! Listen to This: Stories to Read Aloud