The Invention of Hugo Cabret
by Brian Selznick
from Scholastic Press
Book Description:
Orphan, clock keeper, and thief, Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo's dead father form the backbone of this intricate, tender, and spellbinding mystery.
Amazon.com Exclusive
| A Letter from Brian Selznick When I was a kid, two of my favorite books were by an amazing man named Remy Charlip. Fortunately and Thirteen fascinated me in part because, in both books, the very act of turning the pages plays a pivotal role in telling the story. Each turn reveals something new in a way that builds on the image on the previous page. Now that I'm an illustrator myself, I've often thought about this dramatic storytelling device and all of its creative possibilities. My new book, The Invention of Hugo Cabret, is a 550 page novel in words and pictures. But unlike most novels, the images in my new book don't just illustrate the story; they help tell it. I've used the lessons I learned from Remy Charlip and other masters of the picture book to create something that is not a exactly a novel, not quite a picture book, not really a graphic novel, or a flip book or a movie, but a combination of all these things. I began thinking about this book ten years ago after seeing some of the magical films of Georges Méliès, the father of science-fiction movies. But it wasn't until I read a book called Edison's Eve: The Quest for Mechanical Life by Gaby Woods that my story began to come into focus. I discovered that Méliès had a collection of mechanical, wind-up figures (called automata) that were donated to a museum, but which were later destroyed and thrown away. Instantly, I imagined a boy discovering these broken, rusty machines in the garbage, stealing one and attempting to fix it. At that moment, Hugo Cabret was born. A few years ago, I had the honor of meeting Remy Charlip, and I'm proud to say that we've become friends. Last December he was asking me what I was working on, and as I was describing this book to him, I realized that Remy looks exactly like Georges Méliès. I excitedly asked him to pose as the character in my book, and fortunately, he said yes. So every time you see Méliès in The Invention of Hugo Cabret, the person you are really looking at is my dear friend Remy Charlip, who continues to inspire everyone who has the great pleasure of knowing him or seeing his work. Paris in the 1930's, a thief, a broken machine, a strange girl, a mean old man, and the secrets that tie them all together... Welcome to The Invention of Hugo Cabret. Yours, Brian Selznick |
Dear readers, Amazon.com Exclusive
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--Brian Selznick |
Brian Selznick on a "Deleted Scene" from The Invention of Hugo CabretMore from Brian Selznick
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|  The Boy of a Thousand Faces |
The Willoughbys
by Lois Lowry
from Houghton Mifflin/Walter Lorraine Books
Abandoned by their ill-humored parents to the care of an odious nanny, Tim, the twins, Barnaby A and Barnaby B, and their sister, Jane, attempt to fulfill their roles as good oldfashioned children. Following the models set in lauded tales from A Christmas Carol to Mary Poppins, the four Willoughbys hope to attain their proscribed happy ending too, or at least a satisfyingly maudlin one. However, it is an unquestionably ruthless act that sets in motion the transformations that lead to their salvation and to happy endings for not only the four children, but their nanny, an abandoned baby, a candy magnate, and his long-lost son too. Replete with a tongue-in-cheek glossary and bibliography, this hilarious and decidedly old-fashioned parody pays playful homage to classic works of children's literature.
A Single Shard
by Linda Sue Park
from Yearling
Tree-ear is an orphan boy in a 12th-century Korean potters’ village. When he accidentally breaks a pot, he must work for the master to pay for the damage by setting off on a difficult and dangerous journey that will change his life forever.
The Boxcar Children Books 1-4
by Gertrude Chandler Warner
from Albert Whitman & Company
The paperback editions of The Boxcar Children Mysteries: #1, The Boxcar Children; #2, Surprise Island; #3, The Yellow House Mystery; and #4, Mystery Ranch are offered together in a cardboard case.
The BFG
by Roald Dahl
from Puffin
Evidently not even Roald Dahl could resist the acronym craze of the early eighties. BFG? Bellowing ferret-faced golfer? Backstabbing fairy godmother? Oh, oh ... Big Friendly Giant! This BFG doesn't seem all that F at first as he creeps down a London street, snatches little Sophie out of her bed, and bounds away with her to giant land. And he's not really all that B when compared with his evil, carnivorous brethren, who bully him for being such an oddball runt. After all, he eats only disgusting snozzcumbers, and while the other Gs are snacking on little boys and girls, he's blowing happy dreams in through their windows. What kind of way is that for a G to behave?
The BFG is one of Dahl's most lovable character creations. Whether galloping off with Sophie nestled into the soft skin of his ear to capture dreams as though they were exotic butterflies; speaking his delightful, jumbled, squib-fangled patois; or whizzpopping for the Queen, he leaves an indelible impression of bigheartedness. (Ages 9 to 12)
Luckily for Sophie, the BFG is nothing like his neighbors, whose favorite pastime is guzzling little children.
The Higher Power of Lucky
by Susan Patron
from Atheneum/Richard Jackson Books
Lucky, age ten, can't wait another day. The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has.
It's all Brigitte's fault -- for wanting to go back to France. Guardians are supposed to stay put and look after girls in their care! Instead Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future U.S. president (maybe) and member of the International Guild of Knot Tyers. Just as bad, she'll have to give up eavesdropping on twelve-step anonymous programs where the interesting talk is all about Higher Powers. Lucky needs her own -- and quick.
But she hadn't planned on a dust storm.
Or needing to lug the world's heaviest survival-kit backpack into the desert.
Heat
by Mike Lupica
from Puffin
Michael Arroyo has a pitching arm that throws serious heat. But his firepower is nothing compared to the heat Michael faces in his day-to-day life. Newly orphaned after his father led the family’s escape from Cuba, Michael’s only family is his seventeen-yearold brother Carlos. If Social Services hears of their situation, they will be separated in the foster-care system—or worse, sent back to Cuba. Together, the boys carry on alone, dodging bills and anyone who asks too many questions. But then someone wonders how a twelve-year-old boy could possibly throw with as much power as Michael Arroyo throws. With no way to prove his age, no birth certificate, and no parent to fight for his cause, Michael’s secret world is blown wide open, and he discovers that family can come from the most unexpected sources.
Crispin: Cross of Lead, The (Crispin)
by Avi
from Hyperion Book CH
Genre-jumping author Avi clocks in here with his 50th book, Crispin: The Cross of Lead, an action-packed historical narrative that follows the frantic flight of a 13-year-old peasant boy across 14th-century England.
After being declared a "wolf's head" by his manor's corrupt steward for a crime he didn't commit (meaning that anyone can kill him like a common animal--and collect a reward), this timid boy has to flee a tiny village that's the only world he's ever known. But before our protagonist escapes, Avi makes sure that we're thoroughly briefed on the injustices of feudalism--the countless taxes cottars must pay, the constant violence, the inability of a flawed church to protect its parishioners, etc. Avi then folds in the book's central mystery just as the boy is leaving: "Asta's son," as he's always been known, learns from the village priest that his Christian name is Crispin, and that his parents' origins--and fates--might be more perplexing than he ever imagined.
Providing plenty of period detail (appropriately gratuitous for the age group) and plenty of chase-scene suspense, Avi tells a good story, develops a couple of fairly compelling characters, and even manages to teach a little history lesson. (Fortunately, kids won't realize that they're learning about England's peasant revolt of 1381 until it's far too late.) (Ages 10 to 14) --Paul Hughes
Genre-jumping author Avi clocks in here with his 50th book, Crispin:The Cross of Lead, an action-packed historical narrative that follows thefrantic flight of a 13-year-old peasant boy across 14th-century England.After being declared a "wolf's head" by his manor's corrupt steward for a crimehe didn't commit (meaning that anyone can kill him like a commonanimal--and collect a reward), this timid boy has to flee a tiny villagethat's the only world he's ever known. But before our protagonist escapes, Avimakes sure that we're thoroughly briefed on the injustices of feudalism--thecountless taxes cottars must pay, the constant violence, the inability of aflawed church to protect its parishioners, etc. Avi then folds in the book'scentral mystery just as the boy is leaving: "Asta's son," as he's always beenknown, learns from the village priest that his Christian name is Crispin, andthat his parents' origins--and fates--might be more perplexing than he everimagined.Providing plenty of period detail (appropriately gratuitous for the age group)and plenty of chase-scene suspense, Avi tells a good story, develops a couple offairly compelling characters, and even manages to teach a little history lesson.(Fortunately, kids won't realize that they're learning about England's peasantrevolt of 1381 until it's far too late.) (Ages 10 to 14) --Paul Hughes
The Boxcar Children (The Boxcar Children, No. 1) (Boxcar Children)
by Gertrude Chandler Warner
from Albert Whitman & Company
Read by Phyllis Newman
Two cassettes / 1 hour 54 minutes
Henry, Jessie, Violet and Benny, four orphaned brothers and sisters, suddenly appear in a small town.  No one knows who these young wanderers are or where they have come from.  Frightened to live with a grandfather they have never met, the children make a home for themselves in an abandoned red boxcar they discover in the woods.  Henry, the oldest, goes to town to earn money and buy food and supplies.
Ambitious and resourceful, the plucky children make a happy life themselves--until Violet gets too sick for her brothers and sister to care for her.
This unabridged recording will delight any child who has fantasized about being on his or her own and overcoming every obstacle.
Three Little Words: A Memoir
by Ashley Rhodes-Courter
from Atheneum
"Sunshine, you're my baby and I'm your only mother. You must mind the one taking care of you, but she's not your mama." Ashley Rhodes-Courter spent nine years of her life in fourteen different foster homes, living by those words. As her mother spirals out of control, Ashley is left clinging to an unpredictable, dissolving relationship, all the while getting pulled deeper and deeper into the foster care system.
Painful memories of being taken away from her home quickly become consumed by real-life horrors, where Ashley is juggled between caseworkers, shuffled from school to school, and forced to endure manipulative,humiliating treatment from a very abusive foster family. In this inspiring, unforgettable memoir, Ashley finds the courage to succeed - and in doing so, discovers the power of her own voice.
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