Fiction

Maniac Magee

After his parents die, Jeffrey Lionel Magee's life becomes legendary as he accomplishes athletic feats and other extraordinary exploits that awe his contemporaries. Paperback.

Maniac Magee is a folk story about a boy, a very excitable boy. One that can outrun dogs, hit a home run off the best pitcher in the neighborhood, tie a knot no one can undo. "Kid's gotta be a maniac," is what the folks in Two Mills say. It's also the story of how this boy, Jeffrey Lionel "Maniac" Magee, confronts racism in a small town, tries to find a home where there is none and attempts to soothe tensions between rival factions on the tough side of town. Presented as a folk tale, it's the stuff of storytelling. "The history of a kid," says Jerry Spinelli, "is one part fact, two parts legend, and three parts snowball." And for this kid, four parts of fun. Maniac Magee won the 1991 Newbery Medal.

Roll of Thunder, Hear My Cry (Puffin Modern Classics) (Puffin Modern Classics)

In all Mildred D. Taylor's unforgettable novels she recounts "not only the joy of growing up in a large and supportive family, but my own feelings of being faced with segregation and bigotry." Her Newbery Medal-winning Roll of Thunder, Hear My Cry tells the story of one African American family, fighting to stay together and strong in the face of brutal racist attacks, illness, poverty, and betrayal in the Deep South of the 1930s. Nine-year-old Cassie Logan, growing up protected by her loving family, has never had reason to suspect that any white person could consider her inferior or wish her harm. But during the course of one devastating year when her community begins to be ripped apart by angry night riders threatening African Americans, she and her three brothers come to understand why the land they own means so much to their Papa. "Look out there, Cassie girl. All that belongs to you. You ain't never had to live on nobody's place but your own and long as I live and the family survives, you'll never have to. That's important. You may not understand that now but one day you will. Then you'll see."

Twenty-five years after it was first published, this special anniversary edition of the classic strikes as deep and powerful a note as ever. Taylor's vivid portrayal of ugly racism and the poignancy of Cassie's bewilderment and gradual toughening against social injustice and the men and women who perpetuate it, will remain with readers forever. Two award-winning sequels, Let the Circle Be Unbroken and The Road to Memphis, and a long-awaited prequel, The Land, continue the profoundly moving tale of the Logan family. (Ages 9 and older) --Emilie Coulter

The story of one African American family fighting to stay together and strong in the face of brutal racist attacks, illness, poverty, and betrayal in the Deep South of the 1930s.

American Born Chinese

Indie graphic novelist Gene Yang's intelligent and emotionally challenging American Born Chinese is made up of three individual plotlines: the determined efforts of the Chinese folk hero Monkey King to shed his humble roots and be revered as a god; the struggles faced by Jin Wang, a lonely Asian American middle school student who would do anything to fit in with his white classmates; and the sitcom plight of Danny, an All-American teen so shamed by his Chinese cousin Chin-Kee (a purposefully painful ethnic stereotype) that he is forced to change schools. Each story works well on its own, but Yang engineers a clever convergence of these parallel tales into a powerful climax that destroys the hateful stereotype of Chin-Kee, while leaving both Jin Wang and the Monkey King satisfied and happy to be who they are.

Yang skillfully weaves these affecting, often humorous stories together to create a masterful commentary about race, identity, and self-acceptance that has earned him a spot as a finalist for the National Book Award for Young People. The artwork, rendered in a chromatically cool palette, is crisp and clear, with clean white space around center panels that sharply focuses the reader's attention in on Yang's achingly familiar characters. There isn't an adolescent alive who won't be able to relate to Jin's wish to be someone other than who he is, and his gradual realization that there is no better feeling than being comfortable in your own skin.--Jennifer Hubert

The Watsons Go to Birmingham - 1963

The year is 1963, and self-important Byron Watson is the bane of his younger brother Kenny's existence. Constantly in trouble for one thing or another, from straightening his hair into a "conk" to lighting fires to freezing his lips to the mirror of the new family car, Byron finally pushes his family too far. Before this "official juvenile delinquent" can cut school or steal change one more time, Momma and Dad finally make good on their threat to send him to the deep south to spend the summer with his tiny, strict grandmother. Soon the whole family is packed up, ready to make the drive from Flint, Michigan, straight into one of the most chilling moments in America's history: the burning of the Sixteenth Avenue Baptist Church with four little girls inside.

Christopher Paul Curtis's alternately hilarious and deeply moving novel, winner of the Newbery Honor and the Coretta Scott King Honor, blends the fictional account of an African American family with the factual events of the violent summer of 1963. Fourth grader Kenny is an innocent and sincere narrator; his ingenuousness lends authenticity to the story and invites readers of all ages into his world, even as it changes before his eyes. Curtis is also the acclaimed author of Bud, Not Buddy, winner of the Newbery Medal. (Ages 9 to 12) --Emilie Coulter

A wonderful middle-grade novel narrated by Kenny, 9, about his middle-class black family, the Weird  Watsons of Flint, Michigan. When Kenny's  13-year-old brother, Byron, gets to be too much trouble,  they head South to Birmingham to visit Grandma, the  one person who can shape him up. And they happen to  be in Birmingham when Grandma's church is blown  up.

Monster

"Monster" is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the "all clear" to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve's life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve's life before the murder and his feelings about being held in prison during the trial. "They take away your shoelaces and your belt so you can't kill yourself no matter how bad it is. I guess making you live is part of the punishment."

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today's teens. Steve is an adolescent caught up in the violent circumstances of an adult world--a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel's handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve's journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) --Jennifer Hubert

FADE IN: INTERIOR: Early morning in CELL BLOCK D, MANHATTAN DETENTION CENTER.

Steve (Voice-Over)
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady prosecutor called me ... Monster.

The Hundred Dresses

Wanda Petronski lives way up in shabby Boggins Heights, and she doesn't have any friends. Every day she wears a faded blue dress, which wouldn't be too much of a problem if she didn't tell her schoolmates that she had a hundred dresses at home--all silk, all colors, and velvet, too. This lie--albeit understandable in light of her dress-obsessed circle--precipitates peals of laughter from her peers, and she never hears the end of it. One day, after Wanda has been absent from school for a few days, the teacher receives a note from Wanda's father, a Polish immigrant: "Dear teacher: My Wanda will not come to your school any more. Jake also. Now we move away to big city. No more holler Polack. No more ask why funny name. Plenty of funny names in the big city. Yours truly, Jan Petronski."

Maddie, a girl who had stood by while Wanda was taunted about her dresses, feels sick inside: "True, she had not enjoyed listening to Peggy ask Wanda how many dresses she had in her closet, but she had said nothing.... She was a coward.... She had helped to make someone so unhappy that she had had to move away from town." Repentant, Maddie and her friend Peggy head up to Boggins Heights to see if the Petronskis are still there. When they discover the house is empty, Maddie despairs: "Nothing would ever seem good to her again, because just when she was about to enjoy something--like going for a hike with Peggy to look for bayberries or sliding down Barley Hill--she'd bump right smack into the thought that she had made Wanda Petronski move away." Ouch. This gentle Newbery Honor Book convincingly captures the deeply felt moral dilemmas of childhood, equally poignant for the teased or the tormentor. Louis Slobodkin, illustrator of the 1944 Caldecott Medalist Many Moons, brings his wispy, evocative, color-washed sketches to Eleanor Estes's time-proven classic about kindness, compassion, and standing up for what's right. (Ages 6 and older) --Karin Snelson

Henry's Freedom Box (Caldecott Honor Book)

Henry Brown doesn't know how old he is. Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. When Henry grows up and marries, he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.

Stumptown Kid

This dramatic and moving story set in the days of the Negro Leagues illustrates the true meanings of friendship, prejudice, and heroism.

Charlie Nebraska wants two things he can't get: to make the local Wildcats baseball team and to have life to return to the way it was before his father died two years earlier in the Korean War. Then Charlie meets Luther Peale, a former Negro Baseball League player who agrees to coach Charlie's fledgling neighborhood baseball team for a game against the Wildcats.

But many of Charlie's white neighbors are suspicious of Luther, and when Charlie inadvertently reveals a secret of Luther's, violence erupts in the town and both Luther and Charlie are drawn into serious danger.
Praise for STUMPTOWN KID:

"Readers will enjoy this winning mix of sports, suspense, and heroism, and delight in the baseball wit and wisdom." --School Library Journal
- Honorable mention, 2005 Gustavus Myers Award
- 2006 Paterson Prize for Books for Young People
- 2005-6 Pennsylvania Young Adult Top Forty List
- Kansas State Reading Circle 2005 Recommended Reading List

We're Different, We're the Same (Pictureback(R))

Illustrated in full color. The colorful characters from Sesame Street teach

young children about racial harmony. Muppets, monsters, and humans compare

noses, hair, and skin and realize how different we all are. But as they look

further, they also discover how much we are alike.

The Other Side

Clover has always wondered why a fence separates the black side of town from the white side. But this summer when Annie, a white girl from the other side, begins to sit on the fence, Clover grows more curious about the reason why the fence is there and about the daring girl who sits on it, rain or shine. And one day, feeling very brave, Clover approaches Annie. After all, why should a fence stand in the way of friendship?

Beautifully rendered in Earl B. Lewis's striking, lifelike watercolor illustrations, Jacqueline Woodson gives us a moving, lyrical narrative told in the hopeful voice of a child confused about the fence someone else has built in her yard and the racial tension that divides her world.