Violence

The Outsiders

Monster

"Monster" is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the "all clear" to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve's life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve's life before the murder and his feelings about being held in prison during the trial. "They take away your shoelaces and your belt so you can't kill yourself no matter how bad it is. I guess making you live is part of the punishment."

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today's teens. Steve is an adolescent caught up in the violent circumstances of an adult world--a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel's handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve's journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) --Jennifer Hubert

FADE IN: INTERIOR: Early morning in CELL BLOCK D, MANHATTAN DETENTION CENTER.

Steve (Voice-Over)
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady prosecutor called me ... Monster.

A Terrible Thing Happened - A story for children who have witnessed violence or trauma

Sherman Smith saw the most terrible thing happen. At first he tried to forget about it, but soon something inside him started to bother him. He felt nervous for no reason. Sometimes his stomach hurt. He had bad dreams. And he started to feel angry and do mean things, which got hi m in trouble. Then he met Ms. Maple, who helped him talk about the ter rible thing that he had tried to forget. Now Sherman is feeling much b etter. This gently told and tenderly illustrated story is for childre n who have witnessed any kind of violent or traumatic episode, includi ng physical abuse, school or gang violence, accidents, homicide, suici de, and natural disasters such as floods or fire. An afterword by Sash a J. Mudlaff written for parents and other caregivers offers extensive suggestions for helping traumatized children, including a list of oth er sources that focus on specific events.

Touching Spirit Bear (rack)

Cole Matthews is angry. Angry, defiant, smug--in short, a bully. His anger has taken him too far this time, though. After beating up a ninth-grade classmate to the point of brain damage, Cole is facing a prison sentence. But then a Tlingit Indian parole officer named Garvey enters his life, offering an alternative called Circle Justice, based on Native American traditions, in which victim, offender, and community all work together to find a healing solution. Privately, Cole sneers at the concept, but he's no fool--if it gets him out of prison, he'll do anything. Ultimately, Cole ends up banished for one year to a remote Alaskan island, where his arrogance sets him directly in the path of a mysterious, legendary white bear. Mauled almost to death, Cole awaits his fate and begins the transition from anger to humility.

Ben Mikaelsen's depiction of a juvenile delinquent's metamorphosis into a caring, thinking individual is exciting and fascinating, if at times heavy-handed. Cole's nastiness and the vivid depictions of the lengths he must go to survive after the (equally vivid) attack by the bear are excruciating at times, but the concept of finding a way to heal a whole community when one individual wrongs another is compelling. The jacket cover photo of the author in a bear hug with the 700-pound black bear that he and his wife adopted and raised is definitely worth seeing! (Ages 12 and older) --Emilie Coulter

Will the attack of the Spirit Bear destroy Cole's life or save his soul?

Cole Matthews has been fighting, stealing, and raising hell for years. So his punishment for beating Peter Driscal senseless is harsh. Given a choice between prison and Native American Circle Justice, Cole chooses Circle Justice: He'll spend one year in complete isolation on a remote Alaskan island. In the first days of his banishment, Cole is mauled by a mysterious white bear and nearly dies. Now there's no one left to save Cole, but Cole himself.

The Underneath

There is nothing lonelier than a cat who has been loved, at least for a while, and then abandoned on the side of the road.

A calico cat, about to have kittens, hears the lonely howl of a chained-up hound deep in the backwaters of the bayou. She dares to find him in the forest, and the hound dares to befriend this cat, this feline, this creature he is supposed to hate. They are an unlikely pair, about to become an unlikely family. Ranger urges the cat to hide underneath the porch, to raise her kittens there because Gar-Face, the man living inside the house, will surely use them as alligator bait should he find them. But they are safe in the Underneath...as long as they stay in the Underneath.

Kittens, however, are notoriously curious creatures. And one kitten's one moment of curiosity sets off a chain of events that is astonishing, remarkable, and enormous in its meaning. For everyone who loves Sounder, Shiloh, and The Yearling, for everyone who loves the haunting beauty of writers such as Marjorie Kinnan Rawlings, Flannery O'Connor, and Carson McCullers, Kathi Appelt spins a harrowing yet keenly sweet tale about the power of love -- and its opposite, hate -- the fragility of happiness and the importance of making good on your promises.

Ghost of Spirit Bear

Alone in the wilderness, Cole found peace.

But he's not alone anymore.

Cole Matthews used to be a violent kid, but a year in exile on a remote Alaskan island has a way of changing your perspective. After being mauled by a Spirit Bear, Cole started to heal. He even invited his victim, Peter Driscal, to join him on the island and they became friends.

But now their time in exile is over, and Cole and Peter are heading back to the one place they're not sure they can handle: high school. Gangs and violence haunt the hallways, and Peter's limp and speech impediment make him a natural target. In a school where hate and tension are getting close to the boiling point, the monster of rage hibernating inside Cole begins to stir.

Ben Mikaelsen's riveting saga of survival and self-awareness continues in the sequel to his gripping Touching Spirit Bear. This time, he weaves a tale of urban survival where every day is a struggle to stay sane. As the problems in his school grow worse, Cole realizes that it's not enough just to change himself. He has to change his world.

The Butter Battle Book: (New York Times Notable Book of the Year) (Classic Seuss)

A cautionary Cold War tale (first told by Dr. Seuss back in 1984), The Butter Battle Book still has a lot to teach about intolerance and how tit-for-tat violence can quickly get out of hand. Explaining the very serious differences between the Zooks and the Yooks, a Zook grandpa tells his grandchild the unspeakable truth: "It's high time that you knew of the terribly horrible thing that Zooks do. In every Zook house and every Zook town every Zook eats his bread with the butter side down!" He then recalls his days with the Zook-Watching Border Patrol, as he gave any Zook who dared come close "a twitch with my tough-tufted prickley Snick-Berry Switch." But when the Zooks fought back, the switches gave way to Triple-Sling Jiggers, then Jigger-Rock Snatchems--even a Kick-a-Poo Kid that was "loaded with powerful Poo-a-Doo Powder and ants' eggs and bees' legs and dried-fried clam chowder."

With lots of fun and more-than-fair digs at the runaway spending and one-upmanship of U.S.-Soviet days, The Butter Battle Book makes a chuckle-filled read whether you're old enough to get the historical references or not. (And with all the Bitsy Big-Boy Boomeroos still in service, this book's message is far from obsolete.) (Ages 4 to 8) --Paul Hughes

Illus. in full color.

Stand Tall, Molly Lou Melon

Molly Lou Melon may be tiny, clumsy, buck-toothed, and with a voice "like a bullfrog being squeezed by a boa constrictor," but she doesn't mind. Her grandmother has utmost confidence in her, and tells her at every turn to believe in herself. "Sing out clear and strong and the world will cry tears of joy," Grandma says. But Molly Lou's self-assurance is put to the test when she moves to a new town, away from her friends and beloved grandmother. During her first week of school, Ronald Durkin taunts Molly Lou Melon in the dull-witted but sharp-edged manner of career bullies, calling her "shrimpo" and "bucky-toothed beaver." Our heroine barely flinches as she systematically sets out to prove herself, and Ronald Durkin ends up feeling pretty foolish.

First-time author Patty Lovell's message is clear and simple, and the theme is familiar enough to strike chords with every reader, young and old. David Catrow, illustrator of Take Me Out of the Bathtub and Other Silly Dilly Songs, Rotten Teeth, and other popular picture books, depicts a very weird-looking, very appealing little girl with warmth and cartoonish humor. Any child who is less than perfect will cheer with joy to meet Molly Lou Melon, a girl who doesn't let anything--or anyone--shake her belief in herself. (Ages 5 to 8) --Emilie Coulter

"Leave it to Molly to transform all her 'faults' into marvelous talents.. . . [Catrow's] pictures fill the pages with wild perspectives, goofy-looking kids, and hilarious details. . . . Leaves readers with the feeling that anything can be accomplished if you are the best person you can be and make the most of your gifts." (Kirkus Reviews)

"What keeps the storytelling fresh is the crisp prose and the heroine's full-spead-ahead determination. . . . Catrow's full-bleed pencil-and-watercolor illustrations, awash in ripe colors and animated by slapstick exaggeration, radiate a winningly eccentric elegance." (Publishers Weekly)

"The text is fast and funny, and Molly Lou is a fetching little heroine. Catrow's palette is intense. . . . This will make a comic readaloud." (The Bulletin of the Center for Children's Books)

Breadwinner

Since the Taliban took over Afghanistan, 11-year-old Parvana has rarely been outdoors. Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps.

In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

Living Dead Girl

When Alice was ten, Ray took her away from her family, her friends -- her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over.

Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her.

This is Alice's story. It is one you have never heard, and one you will never, ever forget.